{"id":10220,"date":"2016-08-17T16:00:06","date_gmt":"2016-08-17T23:00:06","guid":{"rendered":"http:\/\/www.nancyangermeyer.com\/blog\/?page_id=10220"},"modified":"2016-09-13T21:16:45","modified_gmt":"2016-09-14T04:16:45","slug":"wetlands","status":"publish","type":"page","link":"https:\/\/www.nancyangermeyer.com\/blog\/wetlands\/","title":{"rendered":"Wetlands"},"content":{"rendered":"<div class=\"one withsmallpadding ppb_header \" style=\"text-align:left;padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h2 class=\"ppb_title\" style=\"\">Wetland Project<\/h2>\n<hr class=\"title_break left\" style=\"\"\/>\n<div class=\"ppb_header_content\">\n<p>Mark Timmings Wetland Project features the photography of Nancy Angermeyer.<\/p>\n<p>The\u00a0<i class=\"\">Wetland Project<\/i>, by interdisiplinary artist Mark Timmings, is a multipart creative examination of an environmental soundscape. Its genealogy is both experiential and conceptual. The source of inspiration lies in a tiny bit of Earth and the sounds that emanate from it: the marsh near the artist\u2019s home on Saturna Island, British Columbia, Canada. Timmings\u2019 approach demonstrates that the phenomena produced by this small wetland are inexhaustible and infinite, albeit in jeopardy. He collaborates with artists, musicians and technicians to produce individual studies that take the form of radio art, soundscape visualization,\u00a0and musical composition and performance.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"one withsmallpadding ppb_header \" style=\"text-align:left;padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h2 class=\"ppb_title\" style=\"\">Wetland Project<\/h2>\n<hr class=\"title_break left\" style=\"\"\/>\n<div class=\"ppb_header_content\">\n<p>Mark Timmings Wetland Project features the photography of Nancy Angermeyer.<\/p>\n<p>The\u00a0<i class=\"\">Wetland Project<\/i>, by interdisiplinary artist Mark Timmings, is a multipart creative examination of an environmental soundscape. Its genealogy is both experiential and conceptual. The source of inspiration lies in a tiny bit of Earth and the sounds that emanate from it: the marsh near the artist\u2019s home on Saturna Island, British Columbia, Canada. Timmings\u2019 approach demonstrates that the phenomena produced by this small wetland are inexhaustible and infinite, albeit in jeopardy. He collaborates with artists, musicians and technicians to produce individual studies that take the form of radio art, soundscape visualization,\u00a0and musical composition and performance.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"one withsmallpadding ppb_header \" style=\"text-align:left;padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h2 class=\"ppb_title\" style=\"\">Wetland Project<\/h2>\n<hr class=\"title_break left\" style=\"\"\/>\n<div class=\"ppb_header_content\">\n<p>Mark Timmings Wetland Project features the photography of Nancy Angermeyer.<\/p>\n<p>The\u00a0<i class=\"\">Wetland Project<\/i>, by interdisiplinary artist Mark Timmings, is a multipart creative examination of an environmental soundscape. Its genealogy is both experiential and conceptual. The source of inspiration lies in a tiny bit of Earth and the sounds that emanate from it: the marsh near the artist\u2019s home on Saturna Island, British Columbia, Canada. Timmings\u2019 approach demonstrates that the phenomena produced by this small wetland are inexhaustible and infinite, albeit in jeopardy. He collaborates with artists, musicians and technicians to produce individual studies that take the form of radio art, soundscape visualization,\u00a0and musical composition and performance.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10220","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.nancyangermeyer.com\/blog\/wp-json\/wp\/v2\/pages\/10220"}],"collection":[{"href":"https:\/\/www.nancyangermeyer.com\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nancyangermeyer.com\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nancyangermeyer.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nancyangermeyer.com\/blog\/wp-json\/wp\/v2\/comments?post=10220"}],"version-history":[{"count":48,"href":"https:\/\/www.nancyangermeyer.com\/blog\/wp-json\/wp\/v2\/pages\/10220\/revisions"}],"predecessor-version":[{"id":10698,"href":"https:\/\/www.nancyangermeyer.com\/blog\/wp-json\/wp\/v2\/pages\/10220\/revisions\/10698"}],"wp:attachment":[{"href":"https:\/\/www.nancyangermeyer.com\/blog\/wp-json\/wp\/v2\/media?parent=10220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}